Main facade of Flower house, and pool side 
“The semi-open ground floor follows the principle of the nhà sàn, opening the house to the land 
The structure gently inclines
toward arriving guests, sheltered Beneath a wooden roof with a stepped awning
inspired by
Ancient models
Beyond a forged-iron gate
unfolds a garden inspired by
Cham art —
whose kingdom once reached its northern border near Huế
— Composed of sculpted stones, fountains,
& antique statuary. 
Inside, a monumental carved-stone chimney warms the short winter months.
Handmade lighting, 
fine leather seating,
ancient artworks,
and an interior well complete the ensemble.
The pool is adorned with artists’ floral mosaics and includes massage jets as well as a children’s area.
The floral element holds a particular place here. In the Western tradition, the flower is the only part of life untouched by original sin;
In Huế, it is frequently associated with metamorphosis — the passage from vegetal to animal. 
This theme recurs throughout the house. The four traditional flowers of Việt Nam
are vividly carved into the ancient lim-wood gates
by a prominent local master carver, overlooking the pool.”
When it comes to the special bedrooms
in the Flower House, please read
Main facade of Flower house, and pool side 
“The semi-open ground floor follows the principle of the nhà sàn, opening the house to the land 
The structure gently inclines
toward arriving guests, sheltered Beneath a wooden roof with a stepped awning
inspired by
Ancient models
Beyond a forged-iron gate
unfolds a garden inspired by
Cham art —
whose kingdom once reached its northern border near Huế
— Composed of sculpted stones, fountains,
& antique statuary. 
Inside, a monumental carved-stone chimney warms the short winter months.
Handmade lighting, 
fine leather seating,
ancient artworks, 
and an interior well complete the ensemble.
The pool is adorned with artists’ floral mosaics and includes massage jets as well as a children’s area.
The floral element holds a particular place here. In the Western tradition, the flower is the only part of life untouched by original sin;
In Huế, it is frequently associated with metamorphosis — the passage from vegetal to animal. 
This theme recurs throughout the house. The four traditional flowers of Việt Nam
are vividly carved into the ancient lim-wood gates
by a prominent local master carver, overlooking the pool.”
When it comes to the special bedrooms
in the Flower House, please read